воскресенье, 18 марта 2012 г.

Deactivate the movie with the Avid Media Composer?












Avid Media Composer - the preferred choice for top-level professionals involved in the production of film and video, and independent producers, and for the new post-production. A great tool for creative work: support for tapeless production, work with any format, multikamerny HD editing and much more. Great combination with the freedom to choose different options for systems of Avid Media Composer, which is best suited to particular projects: from an autonomous system with the software without additional hardware support to a complete hardware -software Avid Media Composer / Avid Digirtal Nonlinear Accelerator (Avid DNA).



The software Avid Media Composer does not depend on additional external hardware is designed for film and video editing. Media Composer is used to create the majority of films, television shows and commercials in contemporary film and video.

Among the new features:.
• Supports codec QuickTime, in m. h. Apple ProRes and H. 264.
• Support for RED R3D format without transcoding.
• Digitizing RGB 4-4-4 ( via Dual Link SDI to NitrisDX) and the subsequent installation in this format.
• Support for Matrox MXO2 Mini for monitoring.
• Work with stereo sound on the timeline as a single master clip.
• Support for RTAS audio plug-ins.
• Further improvement of the interface.
• Support for XDCAM proxy.
• Import AVCHD, AVCCAM, and NXCAM.

Features.
Intuitive, integrated into the Media Composer system of media management. Effective tools for pruning. One-step color correction. image stabilization. Working with an alpha channel in real time. Treatment of 16-bit AVX effects. No other application does not have such a similar set of features and functionality offered by the Media Composer.

Installation of different formats at one time line.
Combining in one time line HD, SD, DV, film images and permits, as well as Avid AVR and Meridien JFIF without rendering, transcoding, or re- digitizing. Editing DVCPRO HD and HDV without rendering. Multicam editing in real-time HD, SD and DV video. Support for 24p. Ability to capture 24p for the IEEE-1394. Avid Media Composer is compatible with the environment, and Avid Unity Avid Interplay.

Support for Sony XDCAM and Panasonic P2.
Save your time! . Support for Sony XDCAM includes the installation of copies in low resolution, DV and IMX in high resolution.

Avid DNxHD encoding in.
If you're working with HD, then you need a codec is the industry's first HD - Avid DNxHD, which allows you to keep the original quality HD images one by one when the bandwidth is comparable with the SD. The new format Avid DNxHD delivers incredible quality of high resolution and saves the maximum amount of disk space, providing the opportunity to work with the project in HD across multiple workstations. Flow rate of 145 Mbps (with 8-bit video in 4:2:2 ) and 220 Mbps (with 10- bit video in 4:2:2 ) with a resolution of 720p and 1080p / i.

10- bit color correction in real time.
Avid Media Composer has an effective color correction tools, technology-based Avid Symphony. One click of the mouse you will be able to analyze the color and color correction of the entire sequence.

Image stabilization by using SteadyGlide.
Now you can automatically stabilize the footage, which for some reason, such as camera shake, become unfit for use in the project. As a result, you will greatly save your cost and time to work.

FluidMotion.
With FluidFilm you can create slow motion effects and the 'fit-to-fill' ( stretched to the desired length ) from any video using patented pixel morphing. Control speed and position is made by means of key personnel, set on a curve. You can also give your 30i footage 24p video form with function FluidFilm.

Record 4 channel audio through a microphone.
4- channel audio recording straight to the timeline, without wasting time on the seizure of material and installation. During the dialogue or narration, you can record on a time - line of multiple votes, which will greatly reduce the time for voiceovers.

View the video in full screen mode via DVI output.
Now you can output SD and HD content in full screen mode on the LCD monitor, using a standard DVI connector.

Professional tools for working with film.
Each system features built-in Media Composer Avid Film Composer metadata management. The seizure of material from 24p to 25p in real time, as well as automatic synchronization of video and audio sources. Also, when working with film available additional metadata such as: Timecode, KeyKode, DPX, VXF and UNC.

Excellent media management.
Quick and easy ordering, counting and localization of media sources. Move and rename clips without losing links, as all events are automatically updated. Intuitive, customizable media management features are built into the Avid and the mounting medium designed specifically to work with cumbersome and complex projects.

Key features of the software Avid Media Composer.
• The ability to mount and work with the effects for 10- bit SD and HD video.
• Universal library of codecs for simultaneous work with DV, IMX, SD and HD material on a single timeline.
• Support for DVCPRO HD and DVCPRO 50 without any additional conversion (capture / output over IEEE 1394).
• Support for HDV without rendering.
• Up to 11 streams of uncompressed SD video (more streams possible at lower resolution ).
• Ability to work with digital negative (DI) in the off-line mode.
• Support for AVX 2.
• Mode switch quality to ensure maximum performance.
• Optimization for multi- station.

installation options.
• Work with videos that have a different resolution on the same timeline.
• Multicam editing in real time ( 9 sources SD, 3 sources HD).
• The SteadyGlide, providing Motion Tracking ( tracking movement ), and Stabilization ( image stabilization ).
• Compatible with ABVB AVRs and Meridien JFIF.
• Consolidation and transcoding media in different resolutions.
• 24 video and audio tracks (unlimited video layers via the possibility of working with several sequences).
• 24 tracks MetaSync.
• Tool Kit Film Composer.
• The use of uncompressed effects independent of the resolution of the video.
• The effect of 'audio dissolve' in real time.
• Supports 4:3 and 16:9.
• Breakdown of DV material on the scene.
• Work with long sequences of GOP.
• Support for capturing 24P in 24, 25 and 30 project staff.
• PAL 24P and 25P.
• The Video Archive.
• Can be installed at the time of capture ( you must have Avid Unity MediaManager).
• 23. 976, 24 and film montage with the possibility of converting a sequence of 24 to 23. 976.
• Ability to capture 24P according to IEEE- 1394 for 24fps projects.

Digital Video Effects and Compositing.
• 10- bit effects and filters Boris Continuum Complete.
• Customizable 3D effects in real time: Warp, Picture-in-Picture, Corner Pinning, Shapes, Video Titles.
• Also, in real time: Dissolves, Superimposition, Resize, Flips, Flops, Wipes, Conceals, Squeezes, Masks, and Picture-in-Picture.
• Support for Panasonic Varicam off-speed.
• Moving Mattes in real time.
• Hromakey lyumakey and real-time.
• Keying on the alpha channel in real time.
• Compositing unlimited number of layers.
• Custom effects including changes in speed, FluidMotion.
• The effect is to give the captured video FluidFilm 50i and 60i footage of the form.
• AVX plug-ins support a. 5. 0, including real-time plug -party.
• ExpertRender to render effects.
• Opportunities for Paint, AniMatte, Scratch Removal for frame processing.
• Pan.
• Deep Defocus, blur, mosaic.
• Tools to change the aspect ratio.
• High quality keying with the possibility of SpectraMatte SpectraGraph.

10- bit color correction.
• Color Tools professional level in real time.
• One Step AutoCorrect.
• Patented feature for easy setup NaturalMatch matching color tones.
• Color effects in real time, customized with the help of key personnel.
• Trehmonitornye windows for color correction.
• Display and ChromaCurve ChromaGraph.
• Displaying the Waveform and Vectorscope.

Integrated tools for creating titles and graphics.
• uncompressed graphics and titles in real time.
• 2D and 3D titration, including a Marquee.
• Drum and scrolling text.
• Preservation of heading styles, created by the user.

Maximum convenience and compatibility.
• Support for Avid Studio Toolkit (Avid FX, Avid DVD, and Avid 3D).
• Supports the entire line of Avid Unity, including the working environment compatible with Avid Unity MediaManager, and Avid Unity TransferManager.
• Can be installed at the time of capture mediamateriala.
• Fully compatible bins, sequences, gluing, tracks, audio settings, effects, and Avid media with systems Avid Xpress, Media Composer, Film Composer and Symphony.
• Compatible with Avid DS Nitris systems with AFE.
• Support for Sony XDCAM, including MPEG copies of low resolution and IMX.
• Support for Panasonic P2.
• Import / export of AAF.
• Work with MXF or OMF.
• Coding of HD and SD video in Windows Media.
• Output time code LTC.
• Support for Photoshop layers and After Effects.
• 24 -bit audio file compatible with Digidesign Pro Tools systems.
• Remote playback and capture.

Project Management and Metadata.
• Multi-level functions of search, selection and sorting.
• Viewing Modes: Frame, script and text.
• Ability to change file metadata directly into the bin.
• Unlimited number of bins.
• The consolidation of the media.
• The hierarchy of folders ( a folder in folders ) within the project window.
• Individual settings for User, Project and Site.
• Lock the media on possible changes.
• Support for Avid Unity MediaManager for advanced searches, as well as local and remote management of metadata.

Coding for the Web Interactive Delivery.
• Encoding of WMV HD and Windows Media 9, H. 264 MPEG4, MPEG 1.
• WMV HD for the content in HD for further recording on DVD-ROM.
• Exporting Windows Media (ASF), QuickTime 7. 0 and MPEG-2.
• Output QuickTime Reference Movie.
• Sonic DVDit.
• Sorenson Squeeze.
• SmartSound SonicFire Pro.
• Boris Continuum Complete.
• Noise Industries Factory Tools.





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